Marin Marais (1656-1728) is acknowledged as the prime exponent of the high art of the viola da gamba. With similarities in the number of strings and tuning, the viola da gamba has more in common with the guitar (and lute) than most other instruments that guitarists borrow repertory from. Reidar Edvarsen has organized the fifteen pieces in the collection in “suites” by tonality, but the pieces should not necessarily to be performed as such.
Arranged and edited by Reidar Edvardsen
Product: Self Print (PDF) or Print on Demand
Pages: 32 pages
Level: Intermediate
ISMN 979-0-706806-76-1
Order number: BE-190118
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