{"title":"Samartim, Isabel Rei","description":"\u003cmeta content=\"uuid6rWQbe9WoydI\" name=\"uuid\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"margin-right: 012px; margin-bottom: 12px; float: left;\" alt=\"Samartim\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0023\/1718\/9173\/files\/Foto1_JuanLAmado_240x240.jpg?v=1702241014\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eIsabel Rei Samartim\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e (1973) was born in Estrada (Galiza), where she started music studies within her family and later at the local Conservatory. She got a degree at the Conservatory of Music in Corunha, specializing in Guitar, with Professor Antonio Rocha Álvarez. Later, she studied with David Russell in Masterclasses, Thomas Müller-Pering at the Hochschule für Musik «Franz Liszt» in Weimar (Germany) and other great interpreters. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eSamartim won prizes in several competitions in Spain and Italy as a guitarist. She has been invited to festivals in Italy, Galiza, and Portugal. She has premiered works by several composers and performed concerts in several European countries and Brazil. Among her publications is the \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eCancioneiro de Marcial Valladares \"Ayes de mi País\"\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e together with J. L. do Pico Orjais (Dos Acordes, 2010); \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eSuite Rianjeira\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e (Barbantia, 2010\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e); Proel e o Galo. Complete Galizan Poetry and Prose by Luís G. Amado Carvalho\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e (Edições da Galiza, 2012). In 2014, she released the album \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eThe Viola in the 19th Century: Hall Music in Madeira\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e, sponsored by the Regional Government of Madeira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eSince 2005, Samartim has worked at the Professional Conservatory of Music in Santiago de Compostela. In September 2020, she earned her PhD in Art History from the University of Santiago de Compostela with the thesis \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eA Guitarra na Galiza\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e. During the 1st semester of 2020-21, she was a Professor in the Music Department at the University of Minho (Braga, Portugal). In 2021, she released the book \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eGuitarra galega. Breve história da viola (violão) na Galiza\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e (Através Editora) and the CD \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eGuitarra Galega Vol. 1\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e (Air Classical). In Mars 2022, she published \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eCaderno de guitarra\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eCaderno de canto e guitarra\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e (Editorial Viso). In November 2022, she published the first \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eÁlbum de guitarra galega. Nível básico\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e (Dos Acordes) and in May 2023 the same publisher releases the second \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eÁlbum de guitarra galega, medium level\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e. Currently, she plays the music of female Galizan guitarists and Galizan guitar archives and collaborates in the digital music magazine Mundo Clásico with a bimonthly section on the Galizan guitar. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eAs a reintegrationist and social activist, Isabel Rei Samartim joined the \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eSociedade Cultural Marcial Valadares \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e(Estrada), the \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eAstronomical Society of Estrada\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e and the collective \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eAssembly of the Language\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e. She is a founding academic of the \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eGalizan Academy of the Portuguese Language\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e (2008) and a member of the Patronage of the AGLP Foundation (2011). She is a member of the \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eInternational Association 'Colóquios da Lusofonia'\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e (AICL). She participated in the approval process of the\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e Law for using the Portuguese language and links with Lusophony\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e (Santiago de Compostela, 2014). Between 2012 and 2016, she coordinated the \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003eGalizan Language Stimulation Team\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\" data-mce-fragment=\"1\"\u003e at the Santiago de Compostela Conservatory, which opened new perspectives for standardization following the international model of the common language (Portuguese).\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"sequeiros-samartim-fado","title":"Sequeiros-Samartim, FADO","description":"\u003ch2\u003eLuís Eugénio Santos Sequeiros, FADO\u003c\/h2\u003e\n\u003cp\u003eFor solo guitar. \u003cspan class=\"fontstyle0\"\u003eEdited and fingered by Isabel Rei Samartim.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fontstyle0\"\u003eIn the doctoral thesis A Guitarra na Galiza (USC, 2020), I studied various Galizan collections of music for guitar, performers, composers, teachers, builders of guitars and other strummed chordophones who made a fundamental contribution to the knowledge and repertoire of the guitar. This Galizan Fado composed by doctor and guitarist Luís Eugénio Santos Sequeiros (1909-2012) is a sample of his inspiration and identity with Portuguese music. Santos Sequeiros taught music to his daughters and sons, and there was a custom in the house of playing and singing. His sheet music collection contains several other original works of equal beauty and good composition, such as Trémolo a Conchita, published by Viso Editora and recorded, as well as Fado, on the CD Guitarra Galiza Vol. 1 (Air Classical, 2021). I thank the family for authorising this publication and we hope that this bottle thrown into the sea will touch the hearts of guitarists worldwide.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduct: \u003c\/strong\u003eDigital (PDF) or Print-on-demand\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 12 pages\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLevel:\u003c\/strong\u003e Intermediate\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrder number:\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\" class=\"fontstyle0\"\u003eBE-231009\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"fontstyle0\"\u003eISMN 979-0-706834-96-2\u003c\/span\u003e \u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BERGMANN EDITION","offers":[{"title":"Self-Print (PDF)","offer_id":47575568843096,"sku":"BE-231009","price":8.5,"currency_code":"EUR","in_stock":true},{"title":"Print on Demand","offer_id":47575568875864,"sku":"BE-231009p","price":15.63,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0023\/1718\/9173\/files\/Sequeiros-Samartim_Fado-corrections_Page1_0.jpg?v=1702242549"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0023\/1718\/9173\/collections\/Foto_1_Juan_L_Amado.jpg?v=1702241099","url":"https:\/\/bergmann-edition.com\/ja-jp\/collections\/samartim-isabel-rei.oembed","provider":"BERGMANN EDITION","version":"1.0","type":"link"}